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Type of bind: Paperback
Dewey Decimal Number: 823.912
EAN num: 9780156628709
ISBN number: 0156628708
Label: Harvest Books
Manufacturer: Harvest Books
Quantity: 1
Page Count: 216
Printing Date: September 24, 1990
Publishing house: Harvest Books
Sale Popularity Level: 8848
Studio: Harvest Books
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Product Description:
This brilliant novel explores the hidden springs of thought and action in one day of a woman’s life. Direct and vivid in her account of the details of Clarissa Dalloway’s preparations for a party she is to give that evening, Woolf ultimately managed to reveal much more. For it is the feeling behind these daily events that gives Mrs. Dalloway its texture and richness and makes it so memorable. Foreword by Maureen Howard.
'Mrs. Dalloway was the very first novel to split the atom. If the novel before Mrs. Dalloway aspired to immensities of scope and scale, to heroic journeys across vast landscapes, with Mrs. Dalloway Virginia Woolf insisted that it could also locate the enormous within the everyday; that a life of errands and party-giving was every bit as viable a subject as any life lived anywhere; and that should any human act in any novel seem unimportant, it has merely been inadequately observed. The novel as an art form has not been the same since.
'Mrs. Dalloway also contains some of the most beautiful, complex, incisive and idiosyncratic sentences ever written in English, and that alone would be reason enough to read it. It is one of the most moving, revolutionary artworks of the twentieth century.'
--Michael Cunningham, author of The Hours
Amazon.com Review:
As Clarissa Dalloway walks through London on a fine June morning, a sky-writing plane captures her attention. Crowds stare upwards to decipher the message while the plane turns and loops, leaving off one letter, picking up another. Like the airplane's swooping path, Virginia Woolf's Mrs. Dalloway follows Clarissa and those whose lives brush hers--from Peter Walsh, whom she spurned years ago, to her daughter Elizabeth, the girl's angry teacher, Doris Kilman, and war-shocked Septimus Warren Smith, who is sinking into madness.
As Mrs. Dalloway prepares for the party she is giving that evening, a series of events intrudes on her composure. Her husband is invited, without her, to lunch with Lady Bruton (who, Clarissa notes anxiously, gives the most amusing luncheons). Meanwhile, Peter Walsh appears, recently from India, to criticize and confide in her. His sudden arrival evokes memories of a distant past, the choices she made then, and her wistful friendship with Sally Seton.
Woolf then explores the relationships between women and men, and between women, as Clarissa muses, 'It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?' While Clarissa is transported to past afternoons with Sally, and as she sits mending her purple dress, Warren Smith catapults desperately into his delusions. Although his troubles form a tangent to Clarissa's web, they undeniably touch it, and the strands connecting all these characters draw tighter as evening deepens. As she immerses us in each inner life, Virginia Woolf offers exquisite, painful images of the past bleeding into the present, of desire overwhelmed by society's demands. --Joannie Kervran Stangeland
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Rated by buyers 
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In my opinion, this is a perfect book. Woolf captures the characters flawlessly and depicts their relationships with pitch-perfect accuracy. The plot centers around a day in the life of Mrs. Dalloway, who is preparing for a party. However, the overall scope of the novel is much broader.
Rated by buyers -
It is only a single London day in June, 1923, after World War I, and Mrs. Dalloway is out shopping for flowers for her big party to be given that evening. Even the Prime Minister will be coming because Clarissa Dalloway's husband, Richard, is a minor cog in the government. Virginia Woolf was originally going to call her breakthrough novel The Hours, a title Michael Cunningham used in his tribute novel to Mrs. Dalloway. The pealing of Big Ben and other chimes striking the hours segue this chapterless novel into different character spheres, different memories or thoughts. Big Ben's leaden circles of sound move out, widen, and wrap other characters into the narrative.
Using James Joyce's then-new technique of stream of consciousness, Woolf explores the minds of a number of her characters. Clarissa's character is probed in great detail, not only as she sees herself but also as many other characters see her.
Septimus Smith is wandering around London that June day, a veteran suffering from post traumatic stress disorder, what was then called being shell-shocked. Though they pass close by each other, Septimus and Clarissa never meet. When she hears word of this stranger's suicide through a famous doctor at the party, it has a profound effect upon her. Septimus is probably closer in his mental state to Virginia Woolf herself than to Clarissa Dalloway, but the ripples of meaning, like the reverberations of the chiming, caused by his death make her neglect her party. Clarissa, who seemed so unfeeling and superficial, turns out to have too much feeling.
This is not easy reading. Woolf wrote many essays and portions of this book are more essayistic than fictional narrative.
The story has a fluidity as one character's life and mind blends and segues into another. One character after another takes center stage in the narrative. Peter Walsh, Clarissa's old beau, passes Septimus in Regents Park, and the narrative passes from Septimus to Peter in the way that a baton would be passed in a relay race.
In the party scene I was reminded of Joyce's "The Dead" in Dubliners. Mrs. Dalloway is a richly textured book that can be reread many times. At different stages of the reader's life it will take on new meanings. Clarissa Dalloway is like a chameleon that you can never truly pin down.
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Rated by buyers -
For the longest time, I thought I disliked Virginia Woolf's work. Typically, I am not a fan of "stream of consciousness," and being that "To the Lighthouse" was my very first read, Woolf left me not wanting for more. However, in a Queer Theory course in my graduate studies, "Mrs. Dalloway" was assigned and I absolutely loved it. In fact, upon finishing this work, I ordered all of Woolf's works.
Not only is the work hauntingly beautiful and melancholy, but also rather daring. The book takes place in the course of one day in London, yet somehow, the reader becomes familiar with lifetimes of relationships, some of them homosexual relationships. Woolf's work here is gorgeously poetic.
The book generated a lot of discusion because it has so much to offer to many different kinds of readers. I once swore I would never read Woolf again, but this book has made me recant the error of my ways.
If you are a fan of poetic prose, read this book. I intend to read it again and again.
Rated by buyers -
This was the very first Woolf novel that I read and i am glad that it was. I was a college freshman who had just seen The Hours. I was immediately drawn to this author. After reading it the very first time, it is possible to know what the basic story is about: a woman giving a party and wondering about the choices she has made in the past. But each reading helps bring out so many details that are easy to miss. People may claim this is a hard read, but Mrs. Woolf's books were NEVER meant to be read quickly. The word usage and details are so precise that is should be read slowly to appreciate it more. A great book to start getting into Woolf.
Rated by buyers -
Virginia Woolf (1882 - 1941) was a well known writer, critic, feminist, and publisher. This was her fourth novel.
I read her very first novel "The Voyage Out" before buying the present book, then skipped her second novel - which is considered to be a flop - then read "Jacob's Room," her third, then "Mrs. Dalloway," her fourth, and then "To The Lighthouse."
"The Voyage Out" is simple and straightforward work and it might remind the reader of a Jane Austen novel, but it set on a ship and then at a remote location. It is over 400 pages long, and has an Austen theme. After her second novel - which did not do very well - Woolf decided to be more risky and creative with the subsequent book. She changed her style and approach to the novel and Woolf uses the stream of consciousness technique to bring a sense of the chaos and shortness of a young man's life around the time of World War I, Jacob's life, i.e.: from the pandemonium of Jacob's life as portrayed by Woolf through the use of the stream of the consciousness technique, we eventually have clarity in the novel. She carries this writing style on into the similarly chaotic story in the novel "Mrs. Dalloway."
She carries this writing style on into the similarly chaotic story "Mrs. Dalloway." Mrs. Dalloway, or simply Clarrisa Dalloway the character, was used in her very first novel "The Voyage Out" but only as a minor character who the protagonist, Rachel, meets on a sea voyage. Mr. Dalloway makes a pass at Rachel and kisses her. Woolf brings them back in force here with their own novel.
The present story is set in the summer in post WWI London and it revolves around a few days in the life of Mrs. Dalloway. She has a party and during that period an old suitor, Peter Walsh, makes his return appearance from an overseas job posting in India, and does so after thirty years. Part of the story involves her thoughts about that relationship and her life choices. The second plot element is mental illness and the appearance of Septimus Warren Smith and his Italian wife Lucrezia. He is a war survivor but is suffering from depression. The third element is her present husband and his love for her.
The compressed in time and chaotic story which involves Clarrisa, her husband, Peter Walsh, and Septimus, lends itself to the stream of consciousness technique. Some make comparisons with Joyce and his stream of consciousness novel "Ulysses." In any case, Woolf uses it to advantage here. Finally, Woolf is an author who promoted aesthetic purity in fiction. But here she uses the novel as a chance to attack the care for the mental illnesses.
This is an excellent novel written by Woolf at her prime. Her approach lends itself to the subject and it is quite effective. If you want to read a conventional novel by Woolf, then I recommend her very first novel, "The Voyage Out."
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