Books : The Virgin Queen: Elizabeth I, Genius Of The Golden Age

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Author name: Christopher Hibbert

 : The Virgin Queen: Elizabeth I, Genius Of The Golden Age
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Type of bind: Paperback
Dewey Decimal Number: 942.055092
EAN num: 9780201608175
ISBN number: 0201608170
Label: Da Capo Press
Manufacturer: Da Capo Press
Quantity: 1
Page Count: 336
Printing Date: June 20, 1992
Publishing house: Da Capo Press
Sale Popularity Level: 480899
Studio: Da Capo Press




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Product Description:
An intimate portrait of history’s most fascinating monarch.




Customer Reviews
User popularity level:  out of 5 stars

Rated by buyers 1 out of 5 stars - Drivel, pure and simple
Elizabeth I was a powerful woman in a time when women were not allowed to be powerful. She used every trick she had, from temporizing the rash and impulsive demands of courtiers to employing theatrics to distract her counsellors from making abysmal decisions. She had to do this because during her lifetime she simply could not demand the respect a male sovereign could; the best she could do was slow them down and give them time to think - or time for the problem to fix itself. And she succeeded: by her deeds and her words alone did England become the major power it did in succeeding centuries.

Yet Hibbert completely and totally misses the boat. He takes a bizarre, pseudo-Freudian, blatantly misogynistic view of Elizabeth, smearing her reputation and turning her into a weak, indecisive, "hysterical" farce of a sovereign whose sucess was due solely to the superior and brilliant men surrounding her.

What utter tripe!

Hibbert simply cannot see that when Elizabeth came in conflict with her rash, brash, thoughtless, self-interested, opportunistic Privy Council - and yes, this includes the Puritan extremist and nepotist Cecil, whose reputation has been much more positive than it deserves to be - she was almost always right. Luckily she usually got her way, but when she didn't the country suffered. The best example of this is the the politically and religiously disastrous and monumentally idiotic execution of Mary Queen of Scots, which destroyed religious harmony in England for centuries and blackened its reputation in Europe. Elizabeth knew that executing a monarch, especially on evidence gathered through entrapment, would be a dreadful mistake. This is why she refused to sign the warrant for her execution. Yet Hibbert turns her delaying tactics into hysterical terror, and applauds the courtiers who approached Elizabeth during a serious illness and all but forced a feverish, sickly queen to sign the warrant - then rushed off with it and did the deed. It is on their shoulders that centuries of restrictions upon Catholics (and even the Civil War, to some historians' minds) lay, yet Hibbert calls them statesmen?

I would have expected such a book from a Freudian. Lytton Strachey was especially good at turning every woman who aspired to something more than submissive toilet scrubber or inoffensive baby machine into an incapable hysterical basket case whose successes were only due to the hard work of the always-superior men surrounding her. (Strachey does this not just to Elizabeth but to Florence Nightingale, of all people.) Every illness is manufactured; every complaint is hysterical; every endeavor to slow down and think instead of leaping into action is deemed "paralysis" or "indecision". Yet only for the women. Funny that. But Hibbert is far too young to be a Freudian, so what gives?

Not only do I not recommend this book, I recommend that it be shunned by anyone who has any regard for truth.



Rated by buyers 5 out of 5 stars - The life of England's greatest monarch
Hibbert provides a factual and rivetting narrative on the life of Queen Elizabeth I, one of England's greatest rulers, and the last of England's Tudor rulers, with emphasis on her personal life, character and personality, and particular quirks.

The prologue summarizes the reign of Elizabeth,especially relating to Elizabeth's mother Anne Boleyn right up to Boleyn's execution.

She was brought up in various households, at different times, including that of her younger half-brother Prince, Edward the son of Jane Seymour and after King Henry's death, the household of Henry's last wife Catherine Parr.
She was heard, in later life, only to refer to her mother twice. While she proudly referred to herself as the daughter of Henry VIII, she was never ashamed to be a Boleyn and kept a ring that contained a miniature of Anne Boleyn. she also, on occasion used her mother's symbol, the falcon, a bird of pray in which the female bird is larger than the male of the species.

At the time of her mother's execution Princess Elizabeth was two years and eight months old. She was a pretty child far more closely resembling her father than her mother, with her blue hair as opposed to her mother's darker colouring.
She was soon stripped of her title of princess and declared illegitimate.
Elizabeth who was an incredibly bright child, did not notice that her mother was gone but she did notice the change of her name. She apparently said to her governess. "how haps it governor, yesterday my Lady Princess, yesterday but my Lady Elizabeth?"

Elizabeth must have grown up under great trauma , her mother executed when she was three years old, on her father's orders, all but rejected by her father and declared 'illegitimate.'

Elizabeth was well educated by her governess Kat Ashley, she was an accomplished poet and writer, she was taught several languages, spent several hours a day reading history and could play several musical instruments. She was said by her tutor to have read more Greek every day than many church prebendaries did in a whole week.

At the age of 14, living in the household of the Queen Dowager Catherin Parr, Elizabeth was seduced by the Lord Admiral Sir Thomas Seymour, and the author describes something of the sexual games and romps between Elizabeth and Sir Thomas, sometimes involving Elizabeth's governess Kat Ashley. Elizabeth was only a child and certainly could not be held responsible for her involvement in this fling.

She chose a moderate path being a sincere and devout believer but rejecting both the fanatic Roman Catholicism of her sister Mary and the severe Puritanism of some fierce church reformers.
AS monarch she was to preside over an England with greater religious tolerance than it had ever enjoyed before, with both Protestants and Catholics as her chief office bearers.

After the accession to her tyrannical older sister Mary, , who had hundreds of Protestants burned to death, hence earning her name 'Bloody Mary' Elizabeth, who was then nineteen, came under suspicion of involvement in treasonable plots and kept in a state of and was closely watched.
She was for a time imprisoned in the tower of London where she wrote "Much suspected by me
Nothing proved can be,
Quoth Elizabeth, prisoner"
Queen Mary's death, in 1558, was surely a great relief for both Elizabeth and the Protestants of England.
She succeeded to the throne of an impoverished divided country, menaced b both France and Spain, and with the able assistance of William Cecil (later Lord Burghley), she overcame all her difficulties including a religious settlement, fending off England's enemies and building up England's strength including it's navy. The book describes life in Elizabeth's court, and how she gained the love and adherence of her people. Elizabeth was the greatest and the best loved of all the English monarchs. The author describes how Elizabeth was intelligent, self-willed, brave and astute, but as regards her to her marriage and her foreign and religious policies she avoided decisions as long as possible.

The author describes Elizabeth's refusal to sign the warrant for the execution of her cousin Mary, Queen of Scots. To the privy council she asked "Can I put to death the bird that to escape the pursuit of the hawk has fled to my feet for protection. Honour and conscience forbid."

Mary's constant plotting made the decision inevitable and Elizabeth was practically forced by the council finally to sign Elizabeth's execution warrant, but with great anguish and remorse.

Much is described here of the Queen's court favourites who she lavished attention on, such as Robert Dudley, Earl of Leicester and Robert Devereaux, Earl of Essex, but she never allowed them to influence the nation's affairs, for she kept her own council trusting no one ... Read More



Rated by buyers 2 out of 5 stars - Elizabeth as supporting player
The name "Elizabethan" invokes a vision of an era of sumptuous dress, religious strife, European conflict, and the flourishing of the dramatic arts. The Virgin Queen is a study of the ruler for whom the time is named, and her rule, which lasted for an almost-unprecedented 45 years.

Hibbert takes a primarily episodic approach to Elizabeth's life, from her birth as the unwanted daughter of Henry VIII and his second, ill-fated wife, Ann Boleyn. When Henry finally produces a legitimate male heir, Elizabeth is reduced from "princess" to "lady." After her unpopular, Catholic half-sister Mary ascends to the throne and she is vaguely implicated in some plots against the new queen, Elizabeth is imprisoned despite her seeming subservience and her pleas of innocence, devotion, and loyalty.

Raised away from the court by hired nobility and taught by Cambridge scholars, Elizabeth appears to be both demure and autocratic. The important point is "appears," because, while Elizabeth in her correspondence is deferential and in her appearance demure, her peers invariably see her as withdrawn, haughty, and "proud and disdainful"-traits that "much blemished the handsomeness and beauty of her person" (Sir William Sidney). Mary, not unjustifiably paranoid, does not believe in Elizabeth's humility, honesty, or loyalty. Hibbert's portrayal of Elizabeth, who craves the adoration of peers, councilors, and subjects alike, seems to support Mary's assessment.

Elizabeth proves to be arrogant and autocratic, allowing no one to question either her or her rights as ruler. She is keenly aware of the importance of having the support of the populace, which she enjoys in contrast to the despised "Bloody Mary." She ignores the advice of privy council, however, when it suits her, occasionally to the detriment of her popularity.

Hibbert does not explain why or how Elizabeth, kept out of the way during the reigns of her half-brother and half-sister, became so popular. This points to one of the flaws of Hibbert's episodic approach; recounting Elizabeth's life in terms of "Subjects and Suitors" (although not all of them), "Papists and Puritans," "The Queen in her Privy Chamber," "Traitors and Rebels" (again, not all of them), and so forth, veils or distorts much of the historical context of Elizabeth's development and reign. Within one chapter, she may be young at one point and in late middle age at another. With England's changing allegiances and relationships with France and Spain, it is difficult to track what is happening at a given time and why. Elizabeth's most noted accomplishment, England's defeat of the Spanish armada, is covered briefly and superficially, almost as an aside, leaving the reader with the impression that it was happenstance that no one, including Elizabeth or the privy council, had much to do with; it just happened, with little explanation.

The tale of Elizabeth's suitors can be equally confusing. Hibbert describes her negotiations with Henry, Duke of Anjou (later Henry III of France), when he was 20 and, "in fact, twenty years younger than herself." A few pages later, Hibbert discusses her negotiations with his younger brother Francis when Francis is "not yet nineteen" and she is 39, yet it appears that the talks with the older brother occurred first, which would make sense. Even more confusing, the negotiations with younger brother Francis continued until she was 45 (they would be the last hopes of getting her married).

Elizabeth's treatment of religious conflict is glossed over. While Mary is noted for her brutal repression of Protestants, Elizabeth, at least in this biography, is a conservative Protestant who fears and loathes radicals of any kind, Protestant or Catholic. During her reign, repression is focused primarily on the rebellious poor; she is less interested in punishing the wealthy nobility than in grabbing their riches.

As portrayed by Hibbert, Elizabeth is a parsimonious, greedy, emotionally needy woman who wishes to rule absolutely but who cannot make a necessary, definitive decision, such as signing the death warrant for her conniving cousin, Mary Stuart. The privy council, led by Lord Burghley, the Earl of Leicester, and others, devote much of their efforts to manipulating this indecisive autocrat into decisions they want and to making sure that she cannot renege on them-an ironic situation for the woman who says to Burghley's son, "Little man, little man, the word must is not to be used to princes."

There are several weaknesses in addition to the episodic structure. For example, the queen herself is not quoted often enough in key areas, yet Hibbert devotes one-third of a page to Alfred, Lord Tennyson's poem speculating about how she might have felt during her confinement in the Tower of London.

Most notably, however, the book's subtitle is never explained-neither why the era is "golden" nor why the ... Read More



Rated by buyers 5 out of 5 stars - Brief Biography That Is To The Point
This book is a good general introduction to Queen Elizabeth. Hibbert always paints a portrait of his subject, rather than discussing every detail of the person's life. Since most biographers write too much, we should all be grateful to Hibbert. He does a great job of describing Queen Elizabeth's decisionmaking process, her interactions with her advisors, and her reluctance to marry. He also explains the religious issues that surrounded the time briefly yet thoughtfully.



Rated by buyers 3 out of 5 stars - a good read for those who are interested in Elizabeth I
This is a biography of Elizabeth I, The Virgin Queen. And that's exactly what it is. Queen Elizabeth I, daughter of Henry the VIII is a legend, which Mr. Hibbert attempts to address. Often, this is a dry and, at times, tedious read. However, the details of Elizabeth's physical appearance, politics, and idiosyncracies are extremely interesting. The author details life with Elizabeth and her court, including both of the Queen Marys, Robert Dudley, Sirs Walter Raleigh and William Cecil and others.

The time line is obscure - Mr. Hibbert jumps around quite a bit and it can be confusing to the reader that isn't paying exacting attention. I wouldn't recommend it to a casual reader looking for a lot of melodrama and action. But, all in all, this is a good read for those who are interested in Elizabeth I.

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