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Type of bind: Hardcover
Dewey Decimal Number: 843.912
EAN num: 9780307267085
ISBN number: 0307267083
Label: Everyman's Library
Manufacturer: Everyman's Library
Quantity: 1
Page Count: 408
Printing Date: January 15, 2008
Publishing house: Everyman's Library
Release Date: January 15, 2008
Sale Popularity Level: 23050
Studio: Everyman's Library
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Editor's Notes and Comments:
Product Description:
(Book Jacket Status: Jacketed)
Readers everywhere were introduced to the work of Irène Némirovsky through the publication of her long-lost masterpiece, Suite Française. But Suite Française was only the coda to the brief yet remarkably prolific career of this nearly forgotten, magnificent novelist. Here in one volume are four of Némirovsky’s other novels–all of them newly translated by the award-winning Sandra Smith, and all, except DAVID GOLDER, available in English for the very first time.
DAVID GOLDER is the novel that established Néirovsky’s reputation in France in 1929 when she was twenty-six. It is a novel about greed and lonliness, the story of a self-made business man, once wealthy, now suffering a breakdown as he nears the lonely end of his life. THE COURILOF AFFAIR tells the story of a Russian revolutionary living out his last days–and his recollections of his very first infamous assassination. Also included are two short, gemlike novels: THE BALL, a pointed exploration of adolescence and the obsession with status among the bourgeoisie; and SNOW IN AUTUMN, an evocative tale of White Russian émigrés in Paris after the Russian Revolution.
Introduced by celebrated novelist Claire Messud, this collection of four spellbinding novels offers the same storytelling mastery, powerful clarity of language, and empathic grasp of human behavior that would give shape to Suite Française.
Amazon.com:
In 2006 English readers worldwide were introduced to Irène Némirovsky's rediscovered masterpiece, Suite Française, which topped just about every 'best of' list that year, including our own. Thanks to the editors of the Everyman's Library 20th-Century Classics series, a second wave of the prolific author's writing has just hit our shores. In a single volume, readers can find four of Nemirovsky's gem-like early novellas--David Golder, The Ball, Snow in Autumn, and The Courilof Affair--with all the trimmings: a shrewd introduction by Claire Messud (The Emperor's Children) and a detailed chronology of the author's life and times. These very first novellas demonstrate Némirovsky's genius for exposing an individual's virtues and flaws, much like a jeweler examining a diamond under a loupe. Potentially one-dimensional characters such as a greedy businessman or a spiteful teenager emerge from these stories as multi-faceted figures whose questionable beliefs and actions compel us to re-examine our own. Don't miss these short, but potent tales. --Lauren Nemroff
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Rated by buyers
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You get immersed right away into Nemirovskys' world. Right away with "The Ball" you get the discomfort rapport the mother and daughter have. "The Ball" is an absolute terrible tale and well rendered. Opening sentences are crucial, with "David Golder" you want to know what happens to this fellow, he is firm and refuses yet has remorse and is weak at the same time he manipulates and is manipulated. Once you let go the story about the author, we all know Irenes' terrible fate how she perished in the concentration camps, you are able to isolate and focus on her ability to write, she was not just an author, yes she published, she was a writer with a capital W. Words seem to land perfectly. A few sentences are absolutely beautiful. I stop and read again, several times over and over the same sentence to decorticate and learn to read again. How she describes lovers in bed, the intertwined legs and bodies, their shadow shown on the ceiling reveals the image of a bouquet of flowers. There is more, four short stories in this volume, but much more in her complete oeuvre, I urge any curious and avid prose lover to read and discover Irène Némirovsky.
Rated by buyers
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While not as consistently good as "Suite Francais," this volume has as its best selections David Golder and The Courilof Affair. "Golder" is intriguing in that it was used by her husband in an endeavor to free her from the concentration camp. An unflattering portrait of its title character, it begins with a scene that reminded me of the opening of "Citizen Cane." The closing story will please those fond of Kafka. It is rife with issues of ethics and government. The Everyman edition is also a very handsome volume.
Rated by buyers
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I have almost finished this book and so far it is quite a compelling, interesting,with unusually fresh and insightful glimpses into many psychological facets of the characters portrayed. Her insight and portrayal of their psyche's is one that will be forever memorable to me. I particularly liked The Ball. I can readily see a teenage girl feeling and wanting to act the way that Antoinette did to avenge her mother's cruel treatment of her. The Snow In Autumn evokes feelings of sad longing for home and the past for a refugee.All in all, a remarkable and unforgettable book.
Rated by buyers
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Némirovsky was a convert to Catholicism who died in Auschwitz. The Nazis managed to cause the deaths of many Judaic converts (Edith Stein was another). The Nazi movement seemed to be serving a hidden god; many would be shocked to learn the identity of that false god. It's a death penalty offense in Orthodox Judaism to convert to Christianity. Did Hitler's movement serve the agenda of the Orthodox rabbis? You don't be believe it? Read the statements of Ovadia Yosef and other Israeli rabbonim on Hitler as their "divine instrument of punishment." Némirovsky's writing was of a high order. "David Golder" displays tremendous psychological insight. May her memory be honored.
Rated by buyers
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There are many reasons for loving a book ... of course content, the manner in which the author has painted a picture for the reader, a love for the time period in which a story is set, perhaps a specific character - heaven knows - I have fallen in love with a protagonist in my younger days. With this book, aside from all the talent that the words spread on the pages, I love the book.
The paper is heavy weight - not glossy - not harsh. The ribbon bookmark reminds me of days when books were made this way ... I enjoyed reading this book because of the quality of the construction .... now on to the inside.
Nemirovsky has a way of developing the ghosts of one's past. Regardless of how well her characters do in life there seem to be parts of their beginnings that they cannot shed ... a genetic tattoo, a social ingraining that continues to come through regardless of how they change over the years.
I felt the pain of David Golder; I wanted to throw Mrs. Kampf to the dogs and delighted in the vision of little pieces of paper floating down the river; I could feel the heat of the fibre burning stove and the cold of the chilling Russian wind in Snow in Autumn. Brilliantly written in simple language, if you are looking for paperback literature - this is NOT the book to read.
I am hypnotized by Nemirovsky's work and hope that you are too!
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