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Type of bind: Paperback
Dewey Decimal Number: 824.5
EAN num: 9780865974432
ISBN number: 0865974438
Label: Liberty Fund Ltd.
Manufacturer: Liberty Fund Ltd.
Quantity: 1
Page Count: 308
Printing Date: December 01, 2004
Publishing house: Liberty Fund Ltd.
Sale Popularity Level: 653986
Studio: Liberty Fund Ltd.
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'A day, an hour, of virtuous liberty is worth a whole eternity in bondage.' -- Joseph Addison, Cato 1713. Joseph Addison was born in 1672 in Milston, Wiltshire, England. He was educated in the classics at Oxford and became widely known as an essayist, playwright, poet, and statesman. First produced in 1713, Cato, A Tragedy inspired generations toward a pursuit of liberty. Liberty Fund's new edition of Cato: A Tragedy, and Selected Essays brings together Addison's dramatic masterpiece along with a selection of his essays that develop key themes in the play. Cato, A Tragedy is the account of the final hours of Marcus Porcius Cato (95-46BC), a Stoic whose deeds, rhetoric, and resistance to the tyranny of Caesar made him an icon of republicanism, virtue, and liberty. By all accounts, Cato was an uncompromisingly principled man, deeply committed to liberty. He opposed Caesar's tyrannical assertion of power and took arms against him. As Caesar's forces closed in on Cato, he chose to take his life, preferring death by his own hand to a life of submission to Caesar. Addison's theatrical depiction of Cato enlivened the glorious image of a citizen ready to sacrifice everything in the cause of freedom, and it influenced friends of liberty on both sides of the Atlantic. Captain Nathan Hale's last words before being hanged were, 'I only regret that I have but one life to lose for my country,' a close paraphrase of Addison's 'What pity is it that we can die but once to serve our country!' George Washington found Cato such a powerful statement of liberty, honor, virtue, and patriotism that he had it performed for his men at Valley Forge. And Forrest McDonald says in his Foreword that 'Patrick Henry adapted his famous 'Give me liberty or give me death' speech directly from lines in Cato.' Despite Cato's enormous success, Addison was perhaps best-known as an essayist. In periodicals like the Spectator, Guardian, Tatler, and Freeholder, he sought to educate England's developing middle class in the habits, morals, and manners he believed necessary for the preservation of a free society. Addison's work in these periodicals helped to define the modern English essay form. Samuel Johnson said of his writing, 'Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the study of Addison.'
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The Roman senator, Cato the Younger (95 BC - 46 BC) stubbornly resisted Julius Caesar's rise to power, but was ultimately defeated by Caesar in north Africa. Addison's play focuses on the last days of Cato's life, as Caesar's forces advanced. Although others urged Cato to come to terms with Julius Caesar, Cato resists to the end, finally committing suicide rather than surrendering. This tragedy has strong political overtones, addressing the conflict between individual liberty and government tyranny and republicanism versus monarchism.
Writing a political play during a period of intense political rivalry in England, Joseph Addison avoided charges of partisanship by having the prologue written by a Tory poet, Alexander Poe, and the epilogue by a Whig poet, Samuel Garth. Although this tragedy was held in high esteem throughout the eighteenth century, today's audience may find Addison's effusive praise of Cato's political virtue tends to be rather one-dimensional, and thus not entirely convincing.
Cato remained popular for decades in England and even longer in the American colonies, becoming a literary inspiration for the American Revolution. George Washington had it performed for the Continental Army at Valley Forge. The famous quotes by Patrick Henry and Nathan Hale were apparently derived from Addison's play.
Addison's characterization of Cato lacks the psychological depth and complexity that is found in Shakespeare's tragedies, or even what we have come to expect in modern biographical films like A Man for All Seasons, Lawrence of Arabia, Patton, and Gandhi. To be fair to Addison, Cato was described by his contemporaries, including his political enemies, as having high moral standards and incorruptible virtue. In contrast, Addison portrays Cato's sons Portius and Marcus, his close friend Lucius, and his protégé Juba, the prince of Numidia, in more realistic fashion, all decidedly loyal to Cato, but subject to private doubts and other emotions.
Cato is considered by many as the best tragedy written in eighteenth century England. I give it four stars, in part for its historical significance.
Note: Individual editions of Cato may not be easy to find, but it is often included in collections of eighteen century English plays. The Everyman edition, titled The Beggar's Opera and Other Eighteenth Century plays (edited by David Lindsay), is a good source.
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Collaboratively and expertly co-edited by academicians Christine Dunn Henderson and Mark E. Yellin (both of whom are Fellows at Liberty Fund), Cato: A Tragedy, And Selected Essays is a compilation of the writings of Joseph Addison, beginning with his "Cato: A Tragedy" which is an account of the final hours of Marcus Porcius Cato (95-46 B.C.), a Stoic whose deeds, rhetoric, and resistance to the tyranny of Julius Caesar made him an icon of republicanism, virtue, and liberty to this very day. Although popular in its day (1713), the play had fallen into neglect and this is the very first scholarly addition to be made available to the general reading public. The play is then added to in this volume to provide readers with examples of Addison's attempts to educate England's 18th century developing middle class of merchants and tradespeople in the habits, morals, and manners he felt necessary to the preservation of limited government and a free, commercial society. Also available in a hardcover edition (086597442X, $24.00), Cato: A Tragedy, And Selected Essays is a seminal and welcome addition to the growing library of literature promoting conservative values such as liberty, self-government, an opposition to tyranny, the advancement of justice, and the advocacy of honor, patriotism, and integrity.
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Joseph Addison's (1672-1719) Play "Cato: A Tragedy", very first staged in 1713, inspired many enlightened thinkers in the 18th century with its portrayal of the Roman senator Cato the Younger's (95-46 B.C.E.) willingness to commit suicide rather than to live under the tyrannical rule of Julius Caesar. The play takes place during Cato's final hours of resistance to Caesar. George Washington remarked it was his favorite play and had it performed for his men in Valley Forge during the revolution. Washington found in the play a powerful statement on patriotism, liberty, virtue and honor. He quoted from it extensively in his writings. The most famous use of the play was when he met with disgruntled officers in Newburgh, New York right after the war. They had met to contemplate taking over the government by force because the Continental Congress hadn't paid them. Washington got their attention by taking out a pair of glasses to read a letter he had recently sent to congress. As he donned the glasses he quoted a line from the play, "I fear I have grown old in the service of my country." After this remark it is reported that there wasn't a dry eye in the room and after he read the letter the officers dispersed. Nathan Hale echoed another line from the play, right before he was to be hanged by the British as a spy; "I regret, but that I have only one life to give to my country."
In addition, Addison has a great reputation as an essayist admired by none other than Samuel Johnson and Benjamin Franklin. This edition includes 32 essays extolling the virtues of liberty, and government free of corruption. Tories and Whigs in the English Parliament admired him. Joseph Addison studied in Oxford in Latin and Greek Classics. He served as a member of parliament, and became widely known as an essayist, playwright, poet and statesman.
I recommend this book to anyone who is interested in political philosophy, and history of the founding era of the United States.
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