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Type of bind: Paperback
Dewey Decimal Number: 813.54
EAN num: 9780385334143
ISBN number: 0385334141
Label: Dial Press Trade Paperback
Manufacturer: Dial Press Trade Paperback
Quantity: 1
Page Count: 288
Printing Date: May 11, 1999
Publishing house: Dial Press Trade Paperback
Release Date: May 11, 1999
Sale Popularity Level: 5123
Studio: Dial Press Trade Paperback
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Kurt Vonnegut is a master of contemporary American literature. His grey humor, satiric voice, and incomparable imagination very first captured America’s attention in The Sirens of Titan in 1959 and established him as a “true artist”* with Cat’s Cradle in 1963. He is, as Graham Greene has declared, “one of the best living American writers.”
Mother Night is a daring challenge to our moral sense. American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Vonnegut turns grey and white into a chilling shade of gray with a verdict that will haunt us all.
*The New York Times
“A great artist.”—Cincinnati Enquirer
“Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer…a zany but moral mad scientist.”—Time
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Rated by buyers -
The great thing about Vonnegut is that he makes it very easy to read his books, with or without an education. It may appear to some that he over simplifies or is self indulgent in his tales, which may be true, but we live in a generation of oversimplification. And a lot of people's minds are simple as well, so it only seems fitting, to keep it within our reach.
The times may have changed since his war, but not by much. And it is sad that few are able to identify with a man of his age and experience. For me, there is no war as great as Vietnam or the Holocaust. Just an invisible war on terror, which is just as meaningless as any other war.So what he says is as important yesterday as any other day.
the novel is a good one, has a great plot and ends well. It doesn't leave you feeling like you don't know what happens at the end. I will probably read it again someday. But I will never understand it the way he did when he wrote it, because I have not experienced the misery that is war.
Rated by buyers -
If you've never read a Vonnegut book before, then just go ahead and put this into your cart. Also add his other titles because you'll want to pick up another one after you've finished reading Mother Night. Yes, these books were written many decades ago, but the critics are correct in saying they still have relevance in today's time. Enjoy the read and reflection into today's environment.
Rated by buyers -
it was quick read, and i enjoyed it very much. it's gives an interesting perspective on a lot of issues of world war II and human nature.
Rated by buyers 
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I take my title from a piece by Kurt Vonnegut, "Why They Read Hesse." The "they" was the youth of America. His answer was that Hesse tells them the things they want to hear, like bad is bad. He forgot to also stress, if I remember correctly, that Hesse writes in simple sentences with few words. You can read it on a bus or a treadmill at the gym. Complexity and intellectual challenge aren't the main things here.
Vonnegut himself was a lot like that, and Mother Night is maybe the clearest example of this. It is a morality tale with all the ambiguity and subtlety of a topless bar. He starts with a conventional, but interesting, dilemma, that of the undercover agent who is two things at once, and the question is whether the inner is more real than the outer simply because it is inner. Vonnegut as usual attempts to cut this Gordian knot of the demands of duty with the sword of his 1960s hippy morality. And it's not such a bad approach--do no evil, don't think about the big picture, we are what we pretend to be.
So the protagonist willingly accepts his punishment as a traitor despite having the exonerating evidence at hand because he realizes he was what he pretended to be--that his pretend acts had real results. That works great--a "good" person pretended to be "bad" and so did "bad" things and hence was really bad once we use Vonnegut's miracle quotation-point-removing morality.
But if "we are what we pretend to be," is a bad person who pretends to be good actually good? If my hypocritically simulated sacrifice inspires others to sacrifice themselves for values they believe in, am I really good? Is the coward general who roars "come on brave boys, follow me!" and then doubles back once they start running a hero?
I wish it were so. But I don't think it is that simple. Although it wasn't my principal aim, I ended up being lauded as some sort of hero sacrificing myself for the truth. And that led others to make real sacrifices--and the funny thing is, this ended up wrecking my whole plan in the very first place!--for things that I also believe in. Even if I set this in motion, I can't say that this makes my acts "good." I don't think Vonnegut was really up to thinking through the actual complexities of moral action in this world. It isn't simply about your "effects" it is about your self-hood, your authenticity. Campbell had that. Vonnegut didn't know how to deal with that.
One last thing--the new cover looks exactly like the logo for the Victor mousetrap. Is that intentional? Did they see Campbell as being trapped like a mouse in a larger plan he didn't understand? [42]
Rated by buyers -
~Mother Night~ by Kurt Vonnegut, Jr. is a dark novel set against the backdrop of Nazi Germany initially in the 1930s. An American expatriate living abroad Howard W. Campbell, Jr. marries a German woman Helga, and works as a playwright in Germany. But a dark cloud looms over the horizon, the spectre of Nazi Germany and its violent ideology of ultra-nationalism. Campbell's parents depart Germany for the United States as the war draws near, but Campbell chooses to stay behind. The playwright becomes a propagandist for the Nazi regime, declaring himself, 'the Last Free American,' and he broadcasts radio shows throughout Germany and obviously back West for the people of the Western nations to hear. Unbenownst to the Germans, he is also an American spy, a deep-cover double agent of the Office of Strategic Services (OSS). Behind ever gasp and stutter, he is sending hidden messages to the Allies. Following the war's climatic end, Campbell finds his way back to the United States. Gripped by the loss of his wife, he is utterly alienated and gripped by melancholy. Hounded by Neo-Nazis who want to extol him as a hero and Soviet spies looking to out him as an American agent provocateur for their own sinister Machiavellian purposes, Campbell grows despondent and troubled. He might as well forget about protection from Uncle Sam who won't ever acknowledge his service to the U.S. Government. The words of his father-in-law, a dedicated German officer could haunt him, as the German proclaimed when he thought with warmth about what the Nazi creed embodied, he didn't find it emanating from the words of Adolf Hitler, but in the words of Campbell. The theme is simple: we are whatever we pretend to be, so we better be darned careful of what we pretend to be. That's the moral lesson. When we are subsumed in lies and deception: the truth doesn't always set us free, it implicates us, and convicts us. Campbell learned that lesson with much guilt and resignation. His service to Nazi creed far surpassed his service to the Western Allies.
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